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Film: Battle Royale
Release date: 28th February 2011
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, Tarô Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Labelled as “crude and tasteless” by members of the Japanese parliament, a decade on, Battle Royale still proves popular with audiences the world over. Upon its release, the film was nominated for several Japanese Academy Awards, and in 2009, Quentin Tarantino spoke of it as being his favourite film of the last two decades. This 3-disc release from Arrow Video has a host of extras, and a glorious high definition restored transfer of both the theatrical and director’s cut.
Battle Royale opens with Japan at the dawn of the millennium. Unemployment is high and students boycott schools. Adults, fearing their nation's youth, pass the Millennium Educational Reform Act, otherwise known as the BR Act. The purposes of the BR Act quickly become apparent, when we are introduced to a class of students who are nearing the end of their compulsory education. Once a year, a class of students are sent to a secluded island to participate in a game, the Battle Royale, and these are this year's unlucky participants.
The BR Act is promptly explained to its unwitting participants, with the help of an educational video, featuring a morbidly upbeat presenter. Each student is tagged with an electronic necklace and instructed to kill their classmates over the course of the next three days. At the end of the three days, if more than one student remains, their necklaces will detonate, killing all who remain...
It's not difficult to see why Tarantino holds this film in such high regard. Kinji Fukasaku's Battle Royale takes its viewer on a rollercoaster ride, alternating between an extravagant blood bath one moment and a high school drama the next. Its ultra-violent scenes and rather sadistic premise lie at the heart of what has made this film such a success. But the rather elegant, if not extreme, scenes of violence are firmly supported by some terrific dark comedy.
Ultimately, Battle Royale features many of things we'd come to expect from a teenage high school drama. Just as in any high school, the film's characters can easily be characterised into 'geeks', 'outcasts' and 'superficial bitches'. The major difference being, these emotional, jealous and troublesome teenagers are thrown into a big-brother style arena and equipped with knives, tazers and guns.
Whilst most of the film follows the activities of the students over the course of the game, brief flashbacks offer insights into the background of each student. Whilst this isn't enough to form any meaningful, emotional attachment to any of the characters, it does help give the story a layer of depth, beyond all the mindless killing.
That's not to say the film is nothing more than a comic blood-fest. Battle Royale, through all its bloodshed, does make some rather striking comments on society. On one hand, it exposes the perverted nature of reality television, whilst on the other, it condemns society's attitude toward its youth. Admittedly, the film (unlike the book) is a little ambiguous when it comes to this latter theme.
What's more, through all the comic action sequences, the film's young cast give some truly excellent performances. With Battle Royale relying heavily on action sequences to drive forward its narrative and, in turn, bring each character to life, it is quite an achievement to see a cast, whose average age could not exceed 15, giving such exceptional performances.
Ever since its release, Battle Royale has been both celebrated and criticised for its graphic violence. Although, it's hard to see where there is much justification for criticism, as its violence is always humorous in nature. In many respects, Kenta Fukasaku's use of gratuitous violence is rather elegant, as well as humorous. One memorable scene depicts Kazuo Kiriyama, a true 'bad ass', as he fires a handgun at a girl, who also appears to lack any compassion for the students she kills. ‘Air auf der G-Saite’ plays as she stumbles backward with each successive shot. In any other context, and lacking the talented hand of Kenta Fukasaku, this film may well have been a rather morbid affair. But the director's keen eye for humour makes Battle Royale's violence something to applaud, rather than condemn.
Battle Royale is an extremely impressive film, acting as a true representation of Japanese cinema at its best. Kenta Fukasaku has created a film which rivals, if not exceeds the likes of Tarantino's Kill Bill. Unlike many other films that glorify violence, it retains a comic feel and considerable depth, making Battle Royale a truly stunning piece of Japanese cinema. ME
In a world where teenagers have no respect and adults are losing control there can be only one solution: Battle Royale! Now, see what happens when you let a high school class loose on an island, arm them and then give them a simple choice: kill your friends or have them kill you; with poison, cross-bows, machetes and dynamite.
‘Beat’ Takeshi Kitano (Violent Cop, Zatoichi) is a teacher pushed to the edge by his unruly charges. Kidnapped and gassed, his class wake up with exploding metal rings around their necks. If they rebel, they could lose their heads. Now they have three days and only one is permitted to survive this grisly battle to the death.
Directed by the master of 1970s Yakuza thrillers Kinji Fukasaku, and featuring Kill Bill star Chiaki Kuriyama, Battle Royale is the movie that helped to define extreme Asian cinema in the 21st century.
This 3-disc edition, which includes the theatrical and director’s cut, features a brand new glorious high definition restored transfer, and a brand new subtitle translation on both features.
includes a panel reversible sleeve containing original artwork; a 32 page comic, Battle Royale: Parent's Day; collector’s booklet by Tom Mes, author of ‘The Midnight Eye Guide To New Japanese Film’ illustrated with stills, artwork and a printed interview with director Kinji Fukasaku; and a fold-out reversible poster of original artwork.
Film: Battle Royale
Release date: 7th March 2011
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, Tarô Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Special Features:
•
Original theatrical trailer
•
The making of Battle Royale
•
Conducting Battle Royale with the Warsaw National Philharmonic Orchestra
•
Special Edition trailer
•
TV Spot: Tarantino version
•
Shooting the Special Edition
•
Takeshi Kitano interview
•
The correct way to make Battle Royale (Birthday version)
•
Tokyo International Film Festival presentation
•
Opening day at Maro No Uchi Toei movie theatre
•
The slaughter of 42 high school students
•
Premier press conference
•
The correct way to fight in Battle Royale
•
Royale rehearsals
•
Masamichi Amano conducts Battle Royale
•
Special effects comparison
•
Behind the scenes featurette
•
Filming on set
•
TV spots
•
Promos and commercials
•
Kinji Fukasaky trailer reel
Film: Battle Royale: Limited Edition
Release date: 13th December 2010
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, Tarô Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Japanese cinema never fails to stun its audiences. With its release at the turn of the century, Battle Royale not only caught the attentions of the Japanese Academy Awards but the Japanese government also. Putting a capital E on extreme, this film went on to achieve global recognition. Battle Royale possesses a penchant for blood-splattering violence and political comment that makes it the most explicit comment on ‘reality television’ to date.
In an alternative reality, Japan has reached the millennium in tatters. With an ever-increasing unemployment rate of ten million, and students in their thousands boycotting schools, the government passes an education reformation act called ‘The B.R. Act’. The act states that once a year a class is let loose on an isolated island to play the deadly Battle Royale game. Each student is given a random weapon, an electronic collar, and three days to kill or be killed. The winner is the last survivor, and if there is no winner after three days then the collars self-destruct killing any remaining students.
Former teacher Kitano abducts his former class and takes them to the island, having left their tuition after an act of violence against him by student Nobu. The bewildered teens are terrified to see that Kitano has hand-picked them to play his warped game, and are sent out with only a briefing and survival pack, which includes a flashlight and compass.
As the children begin a three day survival of the fittest, young Shuya is determined to escape the island with Noriko to whom he has sworn to protect...
Koushan Kutami’s little known novel of the same name was not nearly as revered as its filmic adaptation. This perhaps is because although on screen it incorporates the dark comedy, satire and political comment of the book, it is the action that makes this classic so appealing.
Veteran director Kinji Fukasaku installs a narrative pace that makes the multi-deaths and elaborate violence undeniably compelling. With decades of onscreen violence and breakthrough shock fests, Fukasaku became a hero to cult Japanese cinema with hits such as Tora! Tora! Tora! and Virus. He brings this wealth of knowhow with cartoonish action that is irresistibly satisfying in its gore and bloodshed. One particularly memorable demise is that of Nobu - as his collar explodes in a cloud of red blood, a class load of children look on at a spectacle that is as shocking as it is a sign of things to come.
The cartoonish nature of the violence does not just extend to the buckets of blood on show, with every punch comes an exaggerated thrusting sound, and with every stab an exaggerated squelch. Battle Royale doesn’t just glamorise violence, it makes it extremely fun - it’s nearly impossible not to get on board with the bizarre comic tone. Each death is accompanied by an onscreen title that gives the victims name, time of death and place in the contest - this is just one stylistic that trivialises the graphic action. You will blush also as Kitano addresses his class over a loud speaker in the most casual manor - the subject matter is unique but not self-indulgent, with the film happy to poke fun at itself.
Although the political drive is not completely stifled by the onscreen antics, you would imagine it played a much bigger part in the book. The extremity of the situation comments on the Japanese government’s incompetence, as well as growing problems within society. The most biting of the social comment comes with its portrayal of youth, and the similarities with Lord Of The Flies are clear.
The story places a dynamic that brings into question the capabilities of kids - we see some of the youngsters committing suicide, others protecting their friends, whilst many look out for number one. A clique of girls eventually wipe each other out in a show of backstabbing that makes Mean Girls look like child’s play.
It also puts into question the garish nature of reality television. A growing phenomenon at the time of the film’s release, shows like Big Brother have continued to stamp their place into contemporary culture. This is a play on these shows’ ideals, as we watch to see who gets killed as eagerly as we watch for the next Friday night eviction. All the elements of the ‘social experiment’ are there, but the selfish nature, attention seeking and two-faced plotting we see on television are shown here tenfold.
Takeshi Kitano shows why he is such an iconic figure in Japanese cinema as the contrived creator of the game, Kitano. Famed for the direction of films like Boiling Point and Brother, Kitano has starred in classics such as Zatoichi, and is even responsible for the much loved Takeshi’s Castle. He brings here a trademark cool, and acts as a perfect figurehead for the signature madness of the picture.
One of the boldest films of the century so far, Battle Royale is not to be missed. If you are a Japanese extreme cinema connoisseur this is no doubt an essential part of your collection, if you are a novice, it is the best possible starting point. This is essential world cinema. LW
Film: Battle Royale: Limited Edition
Release date: 13th December 2010
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, Tarô Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Based on Koushun Takami’s 1999 manga, Battle Royale stunned and outraged the Japanese parliament upon its release in 2000. Ten years on, does it retain its impact?
Could you kill your best friend? That is the question posed to a horrified group of Japanese teenagers who, at the end of their compulsory education, find themselves abducted and taken to an abandoned school, where their former teacher Kitano (Takeshi Kitano) informs them that they have been entered into a deadly game - the Battle Royale - aimed at punishing unruly youths.
The rules of the game are simple: only one can survive. To do that, the ‘contestants’ must murder their rivals. If, after three days, there is no outright winner, then the explosive collars worn by all will explode, and everyone will be dead.
The film follows teenagers Shuya (Fujiwara) and Noriko (Maeda), as they try to stay alive, and figure out a way to do so without having to kill each other…
Too many movies are undeservedly labelled live action manga, but Battle Royale truly deserves the label. Not because its visual scope is overly wacky, or full of imagery one wouldn’t think possible with live action, but because of its boldness and energy. The viewer is thrust into the story with minimal set-up, the characters and dystopian-Japanese setting established with the broadest of strokes; the cinematography is stark, stripped down; and the performances (especially of the young cast) are big and loud. In all the right ways, Battle Royale is a manga come to life as invigorating cinema.
And as the game wears on, and the teenaged contestants enter into a thrilling and horrifying Big Brother meets Lord Of The Flies scenario, Fukasaku treats us to a series of increasingly intense set-pieces, all rooted in the central moral dilemma of what lengths the characters will go to in order to survive. Juxtaposed with rather bland flashback sequences to flesh out the characters, the survival story lacks a certain amount of tension (because we know, for at least the first hour, that certain characters are almost guaranteed to make it to the latter stages), but as the climax nears, and vulnerability increases, even a spacious cinema can feel like a prison cell for the viewer, such is Battle Royale’s sheer intensity.
A visual, visceral triumph, for sure, but not without its flaws. Any substance to the set-up is marginalised in favour of the arresting style. Quite what led to Japan being in the state that we find it in the opening act (explored in greater detail in the manga) is never full established, and, as such, there is very little to connect the viewer to characters - very little to demand sympathy beyond the recognition that the young people are in a horrible predicament. That the teens being generally identifiable movie archetypes suggest that this may be the point - a rush without emotional involvement, prompting guilt from the contemporary audience. Battle Royale certainly has a drum to bang about the demonising of youth - but it bangs that drum without any real rhythm or melody; its overall message unfortunately muddled. Scenes where characters gun down several others feel like simple stylised, exploitative, ‘cool’ violence - rather than the sort of profound, socio-political metaphor that the opening reel seems to promise.
But there’s no denying the effect of its stylistic choices. The intensity of the opening, as the ‘chosen’ children learn their predicament, and the bitter righteousness with which teacher Kitano establishes his dominance over them is instantly gripping, and visually horrifying. And as the game wears on, the viewer is held in rapt attention. But even such moments as these do not always enthral the viewer to the point of true emotional involvement and investment. It is established early on that that the emphasis is on a heightened, manga-like reality - with the teens in identical uniforms, forcibly sedated on a coach-trip and stalked by a power-suited lady in a gas mask, the viewer knows that Battle Royale exists within a slightly skewed, dystopian version of the real world. This endures throughout the film, and the effect is breathtakingly cinematic, but further undermines the raw power of any social comment Fukasaku seeks to make (of course, on this issue, the film certainly will play differently to international audiences after the fact than it does the contemporary local viewer).
As stated above, the performances - in keeping with the manga origins and stylised sensibility - are big, save for the standout supporting turn by Takeshi Kaneshiro, whose quiet rage and subtle insanity utterly sells the outrageous conceit. Those around him do a lot of wailing, shouting, panting and crying, and Kaneshiro - in a directorial choice perhaps designed to represent the brick wall off which youth angst and trouble so regularly bounces - presents a chillingly cold conviction. His role is small, his presence is big.
The younger actors don’t have much to do in the way of covering new thespian ground, but they fulfil archetypes well, and show the appropriate amount of fear as the battle royale goes on. Tatsuya Fujiwara, as Shuya, is the de facto hero, and he brings the right sort of earnestness and a quiet charisma to the role; Japanese popstar and actress Aki Maeda nicely shows Noriko’s early fear giving way to a wayward resilience at the demands and rigours of the experience; western viewers may recognise the actress Chiaki Kuriyama, in the role of Takako, her steely glare (which one may retrospectively term ‘Lisbeth-like’) almost identical to the one she employed in Quentin Tarantino’s Kill Bill Vol. 1.
But, though the cast do good work, none of them truly stand out, although that may be exactly the filmmakers’ point. Indeed, as the teens’ crushes and anxieties - pure adolescent fluff that would grace any ‘typical’ teen movie - come to the fore, intensified by the deadly context, one wonders if Fukasaku is intentionally presenting cliché - deliberately over-playing the yearnings and emotions we’ve seen in dozens of movies before. Is he offering some twisted form of optimism, saying that innocence, friendship and love are the best shields against a progressively more violent and oppressive world? Or is the director being more cynical, daring a viewer to ask themselves why they can feel for fictional youths while demonising the ones they interact with in reality? That there is evidence for both makes Battle Royale an endlessly fascinating picture, if not quite a true classic.
Battle Royale deserves every bit of its enduring cult success. Ten years on, it remains as shocking, powerful and twistedly exhilarating as it was upon release. Sensational. JN
Both the Blu-ray and DVD format releases feature brand new restored high definition transfers of both the ‘theatrical cut’ and ‘director's cut’, brand new subtitle translations, limited edition packaging numbered #/5000 (with certificate) and a whole host of new and exclusive extra features.
In a world where teenagers have no respect and adults are losing control, there can be only one solution: Battle Royale! Now, see what happens when you let a high school class loose on an island, arm them and then give them a simple choice: Kill your friends or have them kill you; with poison, cross-bows, machetes and dynamite.
‘Beat’ Takeshi Kitano (Violent Cop, Zatoichi) is a teacher pushed to the edge by his unruly charges. Kidnapped and gassed, his class wake up with exploding metal rings around their necks. If they rebel, they could lose their heads. Now they have three days, and only one is permitted to survive this grisly battle to the death.
Directed by the master of ‘70s Yakuza thrillers Kinji Fukasaku and featuring Kill Bill star Chiaki Kuriyama, Battle Royale is the movie that helped to define extreme Asian cinema in the 21st century.
The box set (some exclusive to the Limited Edition) includes a 32-page comic; a 36-page booklet (featuring short stories, an extract from Koushan Takami's original novel, original promotional material, including Director's statement, cast and crew biogs); 16-page booklet (including concept artwork and drawing for the limited edition set); 5"x7" Postcards of stills from the film; and a fold-out/reversible poster of the original artwork.
Film: Battle Royale: Limited Edition
Release date: 13th December 2010
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, Tarô Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Special Features:
•
Original theatrical trailer
•
The making of Battle Royale
•
Conducting Battle Royale with the Warsaw National Philharmonic Orchestra
•
Special Edition trailer
•
TV Spot: Tarantino version
•
Shooting the Special Edition
•
Takeshi Kitano interview
•
The correct way to make Battle Royale (Birthday version)
•
Tokyo International Film Festival presentation
•
Opening day at Maro No Uchi Toei movie theatre
•
The slaughter of 42 high school students
•
Premier press conference
•
The correct way to fight in Battle Royale
•
Royale rehearsals
•
Masamichi Amano conducts Battle Royale
•
Special effects comparison
•
Behind the scenes featurette
•
Filming on set
•
TV spots
•
Promos and commercials
•
Kinji Fukasaky trailer reel
