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Film: Wushu
Year of production: 2008
Release date: 18th April 2011
Studio: MVM
Certificate: 12
Running time: 101 mins
Director: Antony Szeto
Starring: Sammo Hung, Wei Dong, Wu Dazhou, Lie Xin, Shi Yao
Genre: Action/Adventure/Drama/Family/Martial Arts
Format: DVD
Country: Hong Kong
Language: Mandarin
Jackie Chan and Sammo Hung are back together (although only Sammo appears on screen with Jackie taking on the role of executive producer) for this 2008 action film aimed squarely at the younger generation, but will their combined efforts elevate the film to the dizzying heights reached with their previous collaborations as part of the Three Dragons?
The portly, yet oddly sprightly Mr Li (Sammo Hung) is a father to two boys and a martial arts teacher who is determined to honour his late wife’s memory by bringing up his sons in a manner she would approve of. At the Wushu school of martial arts he heads up, his two young sons Yi and Er quickly make friends with fellow classmates Yauwu, Zhang and Fong (the only girl of the group) and form the Jing Wu Men.
The Jing Wu Men grow up together, and each one of them becomes an expert in a chosen martial arts discipline by the time they reach their teenage years. Soon, they are joined by Xiao Yi, a pretty girl and fellow martial artist who Zhang takes a shine to, and doesn’t particularly mind being kicked in the face by during an arranged ‘duel’. At the same time, a gang led by Le, a wayward former pupil of the Wushu school, begins kidnapping young children, and the Jing Wu Men set out to save the day.
Their efforts to defeat the gang intensify when two young twins from the school are kidnapped along with one of the Jing Wu Men and Nan, another former pupil who works as a film stuntman and fight choreographer. Mr Li, his son Yi and Yauwu are called into action to rescue the kidnap victims, but the evil Le proves to be a remarkably tough adversary. At least until he starts fighting dirty, and Mr Li starts throwing his weight around...
If you’re looking for a martial arts film with plenty of historical detail and narrative depth, Wushu is not the film to go for, but if flashy fun, cheesy music and gawky teenage romance are what you’re after, look no further. The kids start out cute and talented, and pretty much stay that way as teenagers. They have their problems, but Mr Li and his beautiful, ever supportive sidekick Miss Zhang are always on hand to help.
It would be easy to pick fault with Wushu, but it’s better just to enjoy the flaws as amusing oddities rather than labour over them. Early in the film, for example, the pint-sized Jing Wu Men basically steal, or ‘rescue’, a puppy from an old man they surmise might want to eat it, then pretty much abandon the puppy when it leads them to what will become their secret hideaway. Well, maybe they don’t abandon the puppy after all; it is possible that they hungrily devour it themselves off-camera, but we’re probably not meant to worry about that.
The main appeal of Wushu is the expertly filmed martial arts action. With the aid of split screens, slow motion and upbeat, relentlessly sugary music, the action sequences give the film an energetic, hyper-kinetic wow factor that kids and not-too-demanding martial arts fans will love. The main story and simple sub-plots do just enough to hold it all together, and the young cast are all perfectly likeable as the Jing Wu Men. It doesn’t always go smoothly for them, and they do have the odd setback to deal with, so you’re not left with the feeling of wanting to throttle them (much), but all ends well, as you would expect.
There is very little blood, though Nan very nearly does get his skull cracked open ‘like an egg’ with a sledgehammer by one of Le’s henchmen, and Mr Li gets a bloody lip in the climactic fight with Le. It could have been a lot worse for Mr Li, though, if Le had just been a bit quicker with that saw... And if you’re not in the mood for reading subtitles, there’s also a dubbed version with American accents.
Martial arts purists will probably turn their noses up at Wushu, and it’s certainly ripe for parody, but as a harmless bit of fun, it makes for entertaining enough viewing. But exactly what did happen to that cute little puppy?
Wushu won’t set the world of martial arts films alight, but it’s undemanding, well crafted fun, and there are worse things for kids to emulate than the irrepressible Jing Wu Men. JG
Raised by their grandmother since their mother’s death, 9-year-old Li Yi (Wei Dong) and his younger brother Li Er (Wu Dazhou) are about to start a new life with their father, Li Hui (Sammo Hung), a teacher at an elite Chinese martial arts school which they are to attend. Their mischief-filled first day introduces them to fellow pupils Fong Fong (Lie Xin), Xiao Zhang (Shi Yao) and Yang Yauwu (Liang Zhicheng) and a life-long allegiance between the five friends is soon formed.
Ten years later, in their final year of college, Li Yi, Fong Fong and Yang have become the school’s top Wushu students, while Li Er and Xiao Zhang are the top two Sanda fighters, all working hard to get in shape for the forthcoming selection competition for the provincial martial arts team. A chance meeting with a former student-turned-fight choreographer, Guo Nan (Zhang Jin), and a visit to his latest film set rouses dreams of action movie stardom in the youngsters, dreams which could threaten their athletic careers.
However, their fates take an unexpected turn when they cross paths with Ke Le (Tie Nan), a former pupil of Li Hui and a one-time friend of Nan’s, who is now involved in illegal underground fighting and a child trafficking ring. When the five friends thwart Ke Le’s attempt to kidnap a little girl, it places all their lives in danger. Turning to Li Hui for help, the group of friends and their mentor must combine their combine skills to face their greatest challenge.
Feet and fists fly with impressive speed, style and grace as a new generation of martial arts stars takes the stage to display their fighting skills under the guidance of two of the genre’s master practitioners in Wushu, a film that is as full of charm and character as it is bone-crunching action.
Film: Wushu
Release date: 18th April 2011
Certificate: 12
Running time: 101 mins
Director: Antony Szeto
Starring: Sammo Hung, Wei Dong, Wu Dazhou, Lie Xin, Shi Yao
Genre: Action/Adventure/Drama/Family/Martial Arts
Studio: MVM
Format: DVD
Country: Hong Kong
Film: Mulan
Release date: 21st June 2010
Certificate: 15
Running time: 107 mins
Director: Wei Dong
Starring: Wei Zhao, Jaycee Chan, Rongguang Yu, Xu Jiao, Vicki Zhao
Genre: Action/Adventure/Drama/Romance
Studio: Cine Asia/Showbox
Format: DVD & Blu-ray
Country: China
Not to be confused with Disney’s 1998 animated blockbuster Mulan, director Jingle Ma’s 2009 epic offers a more sophisticated and nuanced retelling of the story based on a sixth century Chinese poem. Mulan: Legendary Warrior charts the early life and rise to power of Hua Mulan, a fearless heroine who disguises herself as a man and goes to war in place of her ailing father.
We first meet Mulan (Zhao Wei, perhaps best best known in the West for her role in Shaolin Soccer) as a young girl who causes her father a great deal of consternation by fighting with boys and generally refusing to behave as he believes a daughter should. It is clear from an early age that Mulan will not conform to what is expected of her, and when she reaches adulthood, and her ailing father is summoned to join the war against invading Rouran tribes, she takes his sword and armour and sneaks off to join the Wei army in his place.
At this point, you have to ignore the fact that Zhao Wei is one of China’s most strikingly beautiful actresses, and simply accept Mulan’s not particularly convincing attempt to disguise herself as a man. There are strict rules about no women being allowed in the army, and Mulan cannot let her guard down for a second. When she is recognised by childhood friend and fellow soldier Tiger (Jaycee Chan, son of Jackie), she has to convince him to keep her secret, but very soon she faces a far more serious threat to her true identity being revealed.
After admitting to the theft of another soldier’s pendant in order to avoid a strip search, Mulan is scheduled for execution, but when Rouran fighters launch a surprise attack, she is released by a young officer, Wentai (Chen Kun), and proves herself in battle by killing the Rouran general. Mulan and Wentai both rise quickly through the ranks of the army, and develop a special bond that is central to the latter half of the film.
As generals, Mulan and Wentai enjoy great success, but when a new, more ruthlessly ambitious Rouran leader emerges, they are tested in ways that neither could have foreseen…
On the surface, Mulan: Legendary Warrior is an epic war film, full of impressively choreographed battle scenes and military strategising, but, at its heart, it is also a well written drama in which the central characters, rather than the action sequences, are the film’s driving force. In lesser hands, the burgeoning romantic bond between Mulan and Wentai could have been overplayed, but it is to Jingle Ma and writer Zhang Ting’s credit that this is not the case in Mulan: Legendary Warrior.
There are moments when Mulan and Wentai appear to be reaching breaking point, and you half expect them to give in to their feelings and fall into each other’s arms as a soaring string section breaks out on the soundtrack, but what little physical contact there is between the two is sparingly shown and relatively understated. Even here, the idea of putting their country and their army before their own desires could have come across as bombastic, but Jingle Ma adeptly balances Mulan and Wentei’s commitment to duty with their mutual frustrations and human yearnings.
Zhao Wei is superb as Mulan, shifting convincingly from full-blooded fervour to anguished vulnerability, steely determination to forlorn resignation, making it easy to forget that she is only slightly more convincing as a man than Russell Crowe would be as Anne Frank. As Wentai, Chen Kun is inevitably overshadowed by Wei, though he more than succeeds in conveying his character’s conflicted interests, and the simmering chemistry between himself and Wei is vital to the film’s overall tone.
The relationship between Mulan and Wei may give Mulan: Legendary Warrior its backbone, but it’s a relationship that could not exist without the war between the Wei dynasty and nomadic Rouran tribes, and Ma Jingle goes to great lengths to ensure the battle scenes and the background against which the war takes place are as believable as possible. Where some directors would offer a cursory explanation for the conflict and then dive head first into a CGI-aided orgy of violence, Ma Jingle reaps the rewards of excellent cinematography that makes the most of some stunning locations and a consistently engaging narrative.
Mulan: Legendary Warrior isn’t exactly innovative, and it doesn’t really add anything new to a story that has been told many times, but it’s an expertly crafted film that fuses war and romance genres in a highly absorbing way. JG
Film: Mulan
Release date: 21st June 2010
Certificate: 15
Running time: 107 mins
Director: Wei Dong
Starring: Wei Zhao, Jaycee Chan, Rongguang Yu, Xu Jiao, Vicki Zhao
Genre: Action/Adventure/Drama/Romance
Studio: Cine Asia/Showbox
Format: DVD & Blu-ray
Country: China
Mulan is based on the famous fable of Hua Mulan, a general who led the Wei dynasty army to victory over raiding northern forces sometime around the 4th century. Director Jingle Ma has tackled this kind of historical story before, most recently in The Assassins Blade, which was also inspired by a legend from Chinese history.
The story will be instantly familiar, both for those who have watched The Assassins Blade, as well as the countless other films and cartoons, and read novels inspired by the Hua Mulan story.
Mulan’s sick father is conscripted to fight the increasingly aggressive Rouran northern army. Mulan takes the place of her father knowing he is too ill to fight, keeping her true identity hidden while at the same time proving her worth on the battlefield.
As the years go by, and the body count continues to rise, Hua Mulan works her way through the ranks to become a powerful General, but she is forced to examine what is truly important to her, while at the same time trying to defend her homeland and make it home to her sick father…
The actual story of Mulan hails from an ancient poem, so there is a fair bit of leeway afforded to the scriptwriters - in this case, the film benefits from centring on the relationships between the main characters and, in particular, the relationship between Hua Mulan and her superior officer Wentai.
With The Assassins Blade, Jingle Ma approached the tale with a light touch, but this caused problems, as the film failed to build any genuine tension towards its supposedly dramatic climax. Lessons have most definitely been learned, and Mulan is a far earthier and grittier proposition.
Casting lessons have also been learned since The Assassins Blade, which was necessary, as both films share a similar plot device, with the female lead playing a character hiding her true identity from those around her. Unlike The Assassins Blade, Jingle Ma creates a believable scenario in Mulan by choosing an actress who carries the part well. There is no doubting Wei Zhao is a beautiful woman, but she is also a good actress, benefitting from good makeup, and a film which is extremely well lit throughout. The Hua Mulan character visibly ages through the twelve year timeline of the story arc, and, as war rages on, becomes evidently more battle weary. This realism makes it easy to buy into the difficult premise, something which The Assassins Blade failed to achieve.
As Hua Mulan’s relationship with Wentai progresses, the film exposes the myths of battle and the flaws inherent within human nature; every set piece and death is played out over a background of political intrigue, betrayal and the love for family, friends and the country, which the soldiers serve and the Rourans covet. The way in which the Wei Army and the Rourans treat their fathers acts as a brilliant wider metaphor for how they also see the land they are fighting for; one side shows no respect while the other must serve to bring honour.
Visually, Mulan is quite ridiculously beautiful, but the China we see on screen is a harsh place. The fear evident in the soldier’s actions is reflected by the harsh realities of the surrounding landscapes, in which browns and greys are mixed to provide ominous and unsettling vistas. This is in stark contrast to the village scene at the beginning of the film, and highlights the pointlessness of the ongoing war, as the opposing armies fight over a land which is completely unforgiving. The desert scenes near the end of the film are particularly cruel, and every parched lip and flaked piece of skin can be felt.
There is a brilliantly ‘old-school’ feel to the battle scenes were everything is shot realistically using plenty of stunts and some incredible horse riding. The scenes are fast paced and brief but well positioned throughout the film. CGI is kept to a bare minimum, and this all adds to the look and feel - Mulan has far more in common with the work of David Lean or Kurosawa than Yimou Zhang. The score from Li Si Song is perfectly balanced with the onscreen action and is never obtrusive.
Mulan is an exhaustive, detailed take on a classic tale. It is beautifully crafted and carries a high emotional impact. SM
