Showing posts with label Studio: Entertainment In Video. Show all posts
Showing posts with label Studio: Entertainment In Video. Show all posts
REVIEW: DVD Release: Operation Condor: Armour Of God 2
Film: Operation Condor: Armour Of God 2
Release date: 19th November 2001
Certificate: 15
Running time: 102 mins
Director: Jackie Chan
Starring: Jackie Chan, Carol 'Do Do' Cheng, Eva Cobo, Shôko Ikeda, Aldo Sambrell
Genre: Action/Adventure/Comedy/Crime/Martial Arts/Thriller
Studio: Entertainment In Video
Format: DVD
Country: Hong Kong
One of Jackie Chan’s most successful early works, Operation Condor is charmingly humorous with a combined sense of Indiana Jones meets James Bond. Released back in 1991, the film is often forgotten today after Chan’s recent successes, such as the Rush Hour franchise. However, in Hong Kong, the film is known as the biggest martial arts epic ever made, receiving a Best Action Choreography nomination in 1992 from the Hong Kong Film Awards.
Starting on an unknown island in the Amazon, where natives and relics are common place, adventurer Jackie, code name Condor, consciously mimics Indiana Jones in entering a tomb to collect antiquities from some locals. They happily allow Jackie to take their treasure; although unknown to the witty adventurer, it is for a price. In a race to escape their sudden hostility, Jackie assembles a giant inflatable ball and bounces down their island away from danger. Short and sweet, the opening scene much mirrors opening sequences from James Bond films, giving the viewer a taste of who the main character is and what he is capable of. The sequence concludes with Jackie receiving information of a new mission, requesting he go to Spain immediately.
Recruited by Duke, a mysterious financier, Jackie is sent to track down some missing Nazi gold, supposedly buried in the North African desert by a German fleet in World War II. Partnering up with a witty, brazen UN representative, and a humorously scatty granddaughter of one of the German officers involved in burying the gold, Jackie and his team must evade numerous mercenaries, as well as two comedic treasure hunters, in a race to locate and retrieve the German gold...
Jackie Chan often plays the same character in all his films, and Operation Condor is no exception. Condor is a clever, likeable character with the tendency to get into dangerous situations due to those around him - much like Chris Tucker’s character often does to Chan’s in Rush Hour. The comical women in Operation Condor inevitably continue to create hazardous situations of which Chan has to fight his way out of.
Although playing the same character, predictability is not necessarily a bad thing. Chan’s comedic approach to combat and the action genre makes the film more enjoyable for different audiences, and his warm presence on screen allows viewers to become more involved with the character, and therefore the storyline. Chan clearly knows how to keep his audience happy with his own persona, however, the film does lack in other areas.
It is clear to any viewer that when writing Operation Condor, Jackie Chan used Indiana Jones as a template. The desert raids, treasure hunting and damsels in distress are unoriginal in their approach, however, Chan’s choreography and direction makes up for this in the many combat scenes. One in particular is featured in a wind tunnel, which contains some impressive, albeit humorous, stunts and choreography. Like all good Golden Harvest creations, Operation Condor demonstrates advanced cinematography skills in the presentation of combat.
Jackie Chan’s skills as a director are clearly what make the film a success. Much like the original martial arts films of Bruce Lee, close up camera shots of hand to hand combat, as well as wide shot stunts, mean the viewer can see that not only is Chan doing the stunts himself, but also that the hand to hand combat is perfect - choreographed down to the finest detail. They also make the scenes more realistic and enjoyable, rather than an afterthought on a computer, which sadly appears to be becoming a more popular way of portraying combat in martial arts films today.
The parallels to Indiana Jones continue in the villainous characters in Operation Condor. Some are humorous, whereas some are simply cringe worthy to watch. The gluttonous Nazi named Adolf portrays characteristics similar to the Nazis in Indie’s first film, Raiders Of The Lost Ark - only out for what they can get. The inconsistent baddie also, unfortunately, reflects Chan’s weak scriptwriting, as the character appears as though he would be more comfortable in a Sean Connery Bond film than a modern ‘90s action flick.
The scriptwriting as a whole is structurally inadequate, with more focus on creating humour than developing an interesting and original plot. Some characters are almost too stereotypical, like the two comedic treasure hunters Jackie and the girls often run into throughout the duration of the film. Their amateurish characterisation as comedic baddies is slightly awkward, and they even change in character at the end of the film.
The female characters are much better in their portrayal. Although Chan writes them as quite feeble, Eva Cobo De Garcia and Carol Cheng do a fantastic job in creating entertaining co-stars. Playing off each other in rivalry, although they may cause some disappointment to feminist viewers, their comedic approach to being helpless heroines works considering they are up against one of the strongest martial arts experts as the male protagonist.
A diamond in the rough, Operation Condor demonstrates Jackie Chan’s expert ability to combine speedy action choreography with expert direction and humour. With some beautiful scenes in the African desert and entertaining characters, this martial arts film is worth a watch, if only for the brilliant combat scenes. HC
SPECIAL FEATURE: DVD Release: Wild Target

This is an English-Language release.
British remake of the French crime caper of the same name, starring Bill Nighy and Emily Blunt.
Victor Maynard (Nighy) is a lonely, uptight middle-aged mummy's boy who also happens to be a lethally efficient professional hitman. His last assignment before he retires is to take out con artist Rose (Blunt) for gangster client Ferguson (Rupert Everett). But finding himself increasingly attracted to the bold and beautiful Rose, Victor is unable to complete the job, and instead ends up trying to save her and delivery boy witness Tony (Rupert Grint) from the murderous intentions of his less-than-happy client.
Film: Wild Target
Release date: 11th October 2010
Certificate: 12
Running time: 94 mins
Director: Jonathan Lynn
Starring: Bill Nighy, Emily Blunt, Rupert Grint, Rupert Everett, Eileen Atkins
Genre: Comedy/Crime
Studio: Entertainment In Video
Format: DVD
Country: UK/France
REVIEW: DVD Release: Red Cliff

Film: Red Cliff
Release date: 5th October 2009
Certificate: 15
Running time: 142 mins
Director: John Woo
Starring: Chang Chen, Tony Leung Chiu Wai, Zhang Fengyi, Takeshi Kaneshiro, Zhao Wei
Genre: Action/Adventure/Drama/History/War
Studio: Entertainment In Video
Format: DVD
Country: China
The father of heroic bloodshed returns to his roots with a majestic re-telling of the Battle of the Red Cliffs and the birth of the three kingdoms. Revered for his work in the action genre, Woo journeyed west where his talent was diluted by the Hollywood studio system. In 2009, he returned with this, a lavish experience that brings that distinct Woo signature to the period epic.
During the Han dynasty of imperial China, ambitious Prime Minister Cao Cao is given power by the weak willed emperor Xian. Cao Cao seeks to dominate the southern regions by defeating the armies of Lui Bei and Sun Quan.
Cao Cao’s forces are overwhelming, displayed through several bloody skirmishes, yet many brave and skilled warriors still fight for the south.
Liu Bei’s chief advisor Zhuge Liang feels the only way to get a foothold in the war is to recruit the services of Sun Quan and the Wu Empire. Zhuge quickly bonds with Sun’s most trusted official, Zhou Yu, and together they persuade Sun Quan to enter the war against Cao Cao.
Meanwhile, Cao Cao’s forces approach the Wu stronghold of Red Cliff from all directions. As the vast armada approaches from sea and land, the southern alliance prepare to defend themselves against Cao Cao’s assault…
Red Cliff came as a refreshing change for a western audience gorged on Wuxia adaptations. Thanks to Crouching Tiger, Hidden Dragon, the crossover appeal of period Chinese cinema increased tenfold, audiences flocked to see gravity defying assassins, colour coded armies and CGI arrows. Yet, as undoubtedly wonderful as those films are, they adhere to an almost fairytale like formula, complete with the fanciful dream logic that formula allows.
In John Woo’s triumphant return to Chinese cinema, there is no flouting of Newton’s law, no stylish and aesthetically pleasing swordfights, just nationwide warfare painted with epic brushstrokes.
It’s clear from the outset that we are not in familiar Woo territory. A sweeping score accompanies us through the clouds and across the lush vistas of a perfectly re-created 3rd century China. The set design, costume and photography is painstakingly meticulous - spectacle is the film’s chief characteristic.
Perhaps the most surprising thing about Red Cliff when comparing it to the director’s other work is the strength of the story and characters. Adapted from ancient literature concerning the tribulations of the three kingdoms, the script is surprisingly diplomatic with some of the historic figures. Cao Cao isn’t the moustache twirling, merciless villain that he could have been, Fengyi Zhang instead offering a ruthless yet ignoble portrait of the dictator. Elsewhere, Takeshi Kaneshiro is a joy to watch as the brilliant strategist Liang, and Tony Leung once again displays stoic confidence as Zhou Yu.
Strangely for a John Woo film, Red Cliff has some impressively strong female performances, a considerable departure from the wafer thin plot devices that usually populate the director’s work. In a film replete with almost superhuman men, it’s refreshing to see some ‘girl power’.
The highlights of Red Cliff, though, are its many spectacular battle scenes. The bloody opening battle is just the tip of the iceberg - later there is the tortoise formation, in which the southern forces lure Cao Cao’s army into a deadly maze of shields and spears. This is just one of many inventive gambits cooked up by Liang, another being the almost comedic acquisition of arrows from Cao Cao’s legion of archers to replenish his own supply.
It is during these epic action scenes that Woo can cut loose and unleash those beloved filmmaking tics. The heroes of the south stalk through the battlefield, cutting a swath through the opposing forces in glorious slow motion. While his career has been stagnating in Hollywood, it has been easy to forget how much of an accomplished technician of carnage Woo actually is.
A triumph for all concerned. Strong performances lead what must surely be John Woo’s finest work. Epic battle scenes punctuate a wonderfully told story of political turmoil intrigue. Woo presents a lovingly recreated depiction of 3rd century China, with extra doves. KT
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