Showing posts with label Review: Battle 5. Show all posts
Showing posts with label Review: Battle 5. Show all posts
REVIEW: DVD Release: Battle Royale: Limited Edition
Film: Battle Royale: Limited Edition
Release date: 13th December 2010
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Takeshi Kitano, Chiaki Kuriyama, Tatsuya Fujiwara, Noriko Nakagawa, TarĂ´ Yamamoto
Genre: Action/Horror/Thriller
Studio: Arrow
Format: DVD & Blu-ray
Country: Japan
Japanese cinema never fails to stun its audiences. With its release at the turn of the century, Battle Royale not only caught the attentions of the Japanese Academy Awards but the Japanese government also. Putting a capital E on extreme, this film went on to achieve global recognition. Battle Royale possesses a penchant for blood-splattering violence and political comment that makes it the most explicit comment on ‘reality television’ to date.
In an alternative reality, Japan has reached the millennium in tatters. With an ever-increasing unemployment rate of ten million, and students in their thousands boycotting schools, the government passes an education reformation act called ‘The B.R. Act’. The act states that once a year a class is let loose on an isolated island to play the deadly Battle Royale game. Each student is given a random weapon, an electronic collar, and three days to kill or be killed. The winner is the last survivor, and if there is no winner after three days then the collars self-destruct killing any remaining students.
Former teacher Kitano abducts his former class and takes them to the island, having left their tuition after an act of violence against him by student Nobu. The bewildered teens are terrified to see that Kitano has hand-picked them to play his warped game, and are sent out with only a briefing and survival pack, which includes a flashlight and compass.
As the children begin a three day survival of the fittest, young Shuya is determined to escape the island with Noriko to whom he has sworn to protect...
Koushan Kutami’s little known novel of the same name was not nearly as revered as its filmic adaptation. This perhaps is because although on screen it incorporates the dark comedy, satire and political comment of the book, it is the action that makes this classic so appealing.
Veteran director Kinji Fukasaku installs a narrative pace that makes the multi-deaths and elaborate violence undeniably compelling. With decades of onscreen violence and breakthrough shock fests, Fukasaku became a hero to cult Japanese cinema with hits such as Tora! Tora! Tora! and Virus. He brings this wealth of knowhow with cartoonish action that is irresistibly satisfying in its gore and bloodshed. One particularly memorable demise is that of Nobu - as his collar explodes in a cloud of red blood, a class load of children look on at a spectacle that is as shocking as it is a sign of things to come.
The cartoonish nature of the violence does not just extend to the buckets of blood on show, with every punch comes an exaggerated thrusting sound, and with every stab an exaggerated squelch. Battle Royale doesn’t just glamorise violence, it makes it extremely fun - it’s nearly impossible not to get on board with the bizarre comic tone. Each death is accompanied by an onscreen title that gives the victims name, time of death and place in the contest - this is just one stylistic that trivialises the graphic action. You will blush also as Kitano addresses his class over a loud speaker in the most casual manor - the subject matter is unique but not self-indulgent, with the film happy to poke fun at itself.
Although the political drive is not completely stifled by the onscreen antics, you would imagine it played a much bigger part in the book. The extremity of the situation comments on the Japanese government’s incompetence, as well as growing problems within society. The most biting of the social comment comes with its portrayal of youth, and the similarities with Lord Of The Flies are clear.
The story places a dynamic that brings into question the capabilities of kids - we see some of the youngsters committing suicide, others protecting their friends, whilst many look out for number one. A clique of girls eventually wipe each other out in a show of backstabbing that makes Mean Girls look like child’s play.
It also puts into question the garish nature of reality television. A growing phenomenon at the time of the film’s release, shows like Big Brother have continued to stamp their place into contemporary culture. This is a play on these shows’ ideals, as we watch to see who gets killed as eagerly as we watch for the next Friday night eviction. All the elements of the ‘social experiment’ are there, but the selfish nature, attention seeking and two-faced plotting we see on television are shown here tenfold.
Takeshi Kitano shows why he is such an iconic figure in Japanese cinema as the contrived creator of the game, Kitano. Famed for the direction of films like Boiling Point and Brother, Kitano has starred in classics such as Zatoichi, and is even responsible for the much loved Takeshi’s Castle. He brings here a trademark cool, and acts as a perfect figurehead for the signature madness of the picture.
One of the boldest films of the century so far, Battle Royale is not to be missed. If you are a Japanese extreme cinema connoisseur this is no doubt an essential part of your collection, if you are a novice, it is the best possible starting point. This is essential world cinema. LW
REVIEW: DVD Release: Battle Royale
Film: Battle Royale
Release date: 5th April 2010
Certificate: 18
Running time: 109 mins
Director: Kinji Fukasaku
Starring: Beat Takeshi, Tatsuya Fujiwara, Chiaki Kuriyama, Aki Maeda, Noriko Nakagawa, TarĂ´ Yamamoto
Genre: Thriller/Action
Studio: Arrow
Format: DVD
Country: Japan
Could you kill your best friend? For anyone who is not familiar with Battle Royale, the tagline printed along the top of the DVD case says it all. 42 students let loose on an island with an assortment of weapons and the promise of death can mean only one thing.
Having wasted no time in spotting the potential in Koushan Takami’s graphic novel published in 1999, Kinju Fukasaku promptly presented the film viewing public with his adaptation in 2000. The crux of the plot is basic enough. At the turn of the millennium, Japan is in chaos. Unemployment is rife, with 15% of its population left jobless; this means a total of ten million people trying to live on no income. Given our own present economic climate, this very detail hits a nerve and drives the problem home with a sledgehammer. Especially when we see what a society in such turmoil has turned to in order to conquer its demons.
Youth runs riot and school children skip school “‘cos we felt it”, as they write on Kitano’s (Beat Takeshi) blackboard. When they do choose to turn up, anarchy ensues, and Kitano is literally stabbed in the back. In an effort to control the new generations, the Battle Royale act is passed: every year a randomly selected class is subjected to three nights of pure survival; not that many see the third night. School children are told to kill or be killed and it isn’t long before they begin to realise just how serious their situation is, and begin to play the lawless game…
The plot’s simplicity leaves plenty of room for character profiles. The viewer is introduced to several students and allowed glimpses of their personal lives. Kitano is also given his own plight; initially, the defiant teenagers that he has to deal with beg the viewer to sympathise with and even pity him. But his participation in the barbaric regime awards him a dose of smug arrogance, and he finally appears to have some control over his tormentors. Finally, a reminder of his home life humbles him once more before his surreal finale that combines both sides of his story. Kitano isn’t the only one with a history; whilst Shuya Nanahara (Tatsuya Fujiwara) is the hero of the piece, and it is actually his tragic story that audiences are most familiar with - each pupil has their own string to add to the story’s bow, their own priorities and their own interests at heart. Fukasaku falls back onto teenage stereotypes that make Battle Royale more of a high school drama than the speculative science fiction film that its premise may imply.
There are the geeks, who take their hands to science and technology with a view of crashing the Big Brother-esque system that controls their fate. There are the stunningly attractive girls on the edge of womanhood who are superficial and unstoppable in their quest for self-fulfillment. Then there is the dark and mysterious loner, the enigmatic outcast. But these cliques work, for what are stereotypes if not short-hand versions of real personalities? In a film that discloses so many character-driven subplots, a cast of complex individuals would confuse and busy the story to an unbearable degree.
Despite the severity of their circumstances, true to that high school genre of film, characters are largely hormone driven. Between doing battle with cross-bows and embedding exes in each other’s heads, they manage to find chance to squabble over who feels what for whom, which ones are the virgins, and who stood who up. Such trivial tribulations of adolescent life enhance the violence, which is motivated by grudges and vendettas. At its most rudimentary level, Battle Royale is a whirlwind of blood and hormones.
It’s not all about fast-paced fight scenes, though. Of course, this is what the film is famed for, and no doubt always will be - there is certainly no denying the delightful excess of gore, but Fukasaku brings more to the story. He builds an omnipresence of distrust and paranoia that persistently bubbles beneath the bloody surface. In rare scenes where fighting has subdued to dialogue, nerves tighten in anticipation of the next revelation that will subsequently lead to renewed aggression. Similarly, in Kitano’s scenes, Beat Takeshi exudes a black aura of tongue-in-cheek humour, and the novelty of severed heads and torn flesh gives way to the novelty of Kitano’s dry quips.
Inevitably, Battle Royale’s reputation will always precede the film itself, but this is the curse of the niche being absorbed into the mainstream. Potential viewers must not let this hype deter them, for Battle Royale truly is a classic of the future. Already a decade since its production, it feels as contemporary as the latest blockbusters and even more poignant. RS
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