Showing posts with label Film: Fish Story. Show all posts
Showing posts with label Film: Fish Story. Show all posts

REVIEW: DVD Release: Fish Story























Film: Fish Story
Release date: 26th July 2010
Certificate: 15
Running time: 112 mins
Director: Yoshihiro Nakamura
Starring: Atsushi Ito, Kengo Kora, Mikako Tabe, Gaku Hamada, Mirai Moriyama
Genre: Comedy
Studio: Third Window
Format: DVD
Country: Japan

Based on a novel by Isaka Kotaro, Fish story is a film that’s divided into several specific time periods, following the lives of various individuals whose actions are interwoven through the years, seemingly unconnected.

The film opens in the year 2012 in a deserted city that will soon be hit by a very large comet, which we see looming in the sky above. Here we find a lone stranger riding the empty streets on his mobility scooter (although he can walk easily), knocking bicycles over along the way, and generally coming across as very odd – and seemingly the only man left.

He happens across a music store which, much to his bafflement is open and running for business as usual. He walks in, curious about what he might find, and inside are two of its employees who seem completely unconcerned by the city’s impending disaster - laughing and joking as if it were just another ordinary day.

As the stranger attempts to shock them with a dose of Armageddon like reality, the store owner plays a punk song entitled ‘Fish Story’ by The Gekerin, and proclaims it to be “the song that will save the earth.”

Events then jump to the year 1975, where an unknown band called The Gekerin are recoding their final track ‘Fish Story’ before they part company - Japan is apparently not a fan of the band that seems way ahead of its time. Their final song, however, may prove to have profound effects on future events that affect the entire world...


The story continues to jump timelines, introducing us to new characters and new stories, each one as odd as the last. Mixing genres such as comedy, drama, sci-fi and even martial arts, it’s hard to place Fish Story into a specific category. It’s refuses to cater for the conventional masses, and echoes the works of director Richard Kelly.

The acting performances throughout are fine, with Nao Omori particularly impressing as ‘Vibrator’. If there is a weak link, it is Mikako Tabe in a smaller role (she mostly cries, unconvincingly). Atsushi and Kengo are strong as the Vicious and Rotten of Japan, and though clearly not rock stars, they're convincing enough to carry their share of the film, and impress when singing the film’s title song - a fantastically hummable tune that will swim around in your mind.

Director Yoshihiro Nakamura crafts some expertly handled and atmospheric moments. The opening alone is eerily effective, with its empty streets and the looming meteor threatening global destruction. He also manages to create a well executed fight scene in the latter half, as some impressive martial arts action momentarily gets the pulse going again.

The film has a bright, shiny color palette with unfussy camera movements that doesn't distract from the complicated story, a wise move under the circumstances - to say the time manipulations are jarring is an understatement (there are five distinct eras where the action unfolds).

If the story sounds baffling, then rest assured that the final ten minutes does succeed in making sense of it all, condensing the timeline into one comprehensive chain of events. However, the journey to this point is often so perplexing, and often at a snail’s pace, that you may not care. The film places all its aces on the conclusion, but forgets to make the journey an entertaining one, rendering the conclusion superfluous.

Nakamura has created an intricate tale but it’s almost two hour running time is all a bit of a drag. You yearn for something plausible to happen, something that will make sense of the events you’ve just witnessed. It’s all a bit too uninvolving and, unfortunately, it doesn’t gel as a whole. Long segments of the film are verging on boring, with its mix of genres making you feel like you’re watching a medley of different films all edited together to create a confusing whole.


Coming across as a sort of High Fidelty meets Donnie Darko, Fish Story is an admirable oddity that sadly lacks any emotional involvement, and becomes a patience tester that only fans who like their films heavy on the unconventional side will appreciate. GY


REVIEW: Cinema Release: Fish Story






















Film: Fish Story
Release date: 28th May 2010
Certificate: 15
Running time: 112 mins
Director: Yoshihiro Nakamura
Starring: Atsushi Ito, Kengo Kora, Mikako Tabe, Gaku Hamada, Mirai Moriyama
Genre: Drama
Studio: Third Window
Format: Cinema
Country: Japan

A forgotten song by an obscure Japanese punk band, based on a bungled English-to-Japanese translation, will one day save the world from destruction. Is Fish Story the most delightfully bonkers film of the year?

In a quiet independent record store, three men gather as a comet threatens to destroy the whole planet. The eldest of the three is prepared for the end, having satisfied all his heart’s desires, while the youngest of the group struggles to accept his fate, believing that the world could yet be saved by Bruce Willis. But the owner of the record store harbours quiet conviction that a little-known song by an equally unknown ‘70s punk band will somehow save the world. Its title - “Fish Story”.

What is the story of “Fish Story”? And how could this one song be the glue that knits together fifty years of disparate, seemingly unconnected lives all destined to lead directly to the rescue of Planet Earth?


Fish Story is like no film you’ve ever seen before - for the most part, in the best possible way. Its visually rough look often achieves the kind of ‘quirky’ feel that simply cannot be manufactured, and its structurally ad hoc storytelling leaves the audience always unsure what is coming next. However, by playing its cards too close to its chest for too long, the film leaves the audience emotionally, intellectually and spiritually disengaged for long periods of its running time.

The cast of broadly sketched characters are played by likeable, but limited, actors who lack the range and presence to really keep the audience enthralled as the filmmakers spin their meandering stories. However, the film more than gets by on its infectious energy, and its obvious conviction in a unique story that is well worth the telling. The audience is never in doubt that the stories will pull together by the end, and that the whole will mean something.

The search for meaning is a theme alluded to, explicitly and implicitly, throughout. Quite what the film intends to say on the subject is never clear, thanks to a script that, for more than an hour, seems to have run away from the filmmakers. Meandering from an apocalypse in 2012, to a double date in 1982 that ends in violence and despair, through an ‘anti-climactic’ apocalypse in 1999, Fish Story almost consumes itself with its own ambition.

Things pick up with a mid-point ferry hijacking sequence that is a welcome gear-shift, even if the resulting action sequence lacks the kinetic verve to which it clearly aspires. The film shifts gears again to show the fortunes of Gekirin, the ‘70s Japanese punk band whose song will “save the world,” by which time the film, having not settled on a tone or even aesthetic style, seems to have finally run aground.

But, as it settles into its ‘origin story’, building to an absolutely riveting crescendo that finally reveals the answer as to why ‘Fish Story’, the song, contains a curious minute of supposedly intentional silence - it becomes clear that, for all its faults, Fish Story has worked its magic on you. Occasionally clumsy magic, to be sure - but magic nonetheless. And as it takes to the home stretch, finally showing its hand and revealing how the disparate stories knit together, it does so with a joy the audience cannot help but share.



Its meaning and message may be muddled, but this is joyous cinema, refreshingly un-manipulative for a story, with a non-linear narrative, and with heart in abundance. JN